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It shouldn’t, then, surprise anyone when “TAKE EVERYTHING” really does feel like it takes from a little bit of everything.
The result inspires a genre without name, try trap as imagined by a video game from 2006.
The track is well imbued with an inherent nostalgic quality.
Its production maintains a steady emotional energy throughout, inviting the listener to consider Earl’s emotions without any expectations to linger.
Ultimately, this track is not only DIY by definition, but DIY at its best: rejecting institution and embracing music’s liminal spaces.
Written by
It shouldn’t, then, surprise anyone when “TAKE EVERYTHING” really does feel like it takes from a little bit of everything.
The result inspires a genre without name, try trap as imagined by a video game from 2006.
The track is well imbued with an inherent nostalgic quality.
Its production maintains a steady emotional energy throughout, inviting the listener to consider Earl’s emotions without any expectations to linger.
Ultimately, this track is not only DIY by definition, but DIY at its best: rejecting institution and embracing music’s liminal spaces.
Written by